B-sides: Vol. 5

This experiment that I have been undertaking in writing a poem everyday for a year seemed like an easy task when I first thought of it but there have been times when it has been a challenge.

Overall I have enjoyed the project and look forward to publishing the fruits of this effort as a fourth volume of poetry called Anno Vitae: MMXXV in 2026.

One of the cool and interesting byproducts of this year’s work so far is that writing a poem a day has been a little like hand cranking one of those old Russian cars to start it (Lada). It took a lot of effort and wasn’t pretty but it got the engine going.

For me that’s a little like what this effort has been. Forcing myself to write a poem a day was a little like hand crank starting my creative brain…it wasn’t pretty and it took effort but often the result was the creative engine started running.

What has resulted has been one of the most prolific years of poetry writing in my life. Note – quantity does not mean quality. I’m not overly fond of many of the efforts, but like an ugly child, it is out in the world now and I am proud of it.

What this means is that in the space of a year Anno Vitae will be a 365 page overly large volume of poetry that has instigated the creation of somewhere between 400-500 other poems.

With this being the case I have decided a fifth volume will follow Anno Vitae at some point and it will be called B-sides: Vol. 5. The concept of B-sides come from the era of musicians releasing music on small 45 rpm records. Each side typically held one song. Even though the point of the 45 was to release a single prospective hit it made sense to utilize both sides of the record and so a song less likely to be popular was added to the “B” side while the song most likely to be a hit was on the A-side.

Ironically I feel like many of my Anno Vitae poems feel like B-sides while the followup poems feel more polished. This is ok, good writing often includes a healthy dose of irony.

Anyhow every good collection deserves a title poem and so here is one for B-sides:

B-sides: Vol. 5

flip over that hit,
turn that well-known sound around
and you’ll find something different,
words never destined for ears;
and so they are naked,
and so they are unfraid,
like a crowd at an orgy
hidden away from prying eyes
being everything they wanted to be
in the absence of judgement
now sent suddenly
into the cold world,
angry at the betrayal,
but curious all the same
as they embrace the moment
in the sudden realization that
there is no life b-sides this one
so let it be lived
fully witnessed.

A Collection of Three

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Marina

I’m reading Marina’s poetry
While listening to her music
As I’m drinking coffee
And using up a cafe table;
She’s asking me –

“Are you satisfied?”

While writing about her fear
Of growing old alone
And losing the good sadness
In favor of flat happiness;
Now she’s teaching me
How to be a heartbreaker
But i can’t even make a heart beat
I thought I could…once
Now i just kick then to the street,
Her voice is growing louder
Mixing her melancholia
With my manic
And i know there are people
Reading about this pain
Numb to the damage
In favor of their own
How can I not understand
That this is the way
Of our circular world

I gotta go
Marina’s telling me
She needs a disconnect
And so do i.

Revelation

My most recent poem was more raw than most (understatement?) but it came with a new awareness that had not occurred to me before.

Anyone who has read my blog realizes I might be a bit of an over-sharer. In the past the most polite way someone ever brought this up to me was by telling me I was “too honest.”

I get it. It’s tough to hear these things and not necessarily something a person signs up for when they walk past and say “how’s it going?” or when they stop by the blog for a nice poem about the sunset and get slapped in the face with a screed abut sexual abuse. Perhaps some writing should come with a trigger warning.

Anyhow I wrote a poem earlier entitled receptacle after waking up from a terrible nightmare I didn’t know how to talk about but I knew how to write it.

Having reread the poem a few times now I have come to understand that one of my core beliefs (a phrase I am learning about in an excellent book I am currently reading) is that the best thing I can do when I feel unsafe or threatened is to scream.

This sounds obvious but let me explain. Throughout my childhood I came to learn that if I wanted to feel safe I needed to tell an adult about what was going on in my life. Call the police. Tell a teacher. Scream for help. Be loud and be obvious. Shine a spotlight on ANY negative or harmful activity aimed at me or around me.

Over time I think this, mixed with my lovely Adult Combined ADHD, transformed into the over-sharing Peter we all know and love today. I have this odd instinct to expose every dark thing I perceive in my life as a way of eradicating it like a magnifying lens focusing the sun to eradicate an ant. I do this mostly through writing.

While this may have worked as a child it is not a great coping mechanism as an adult. That’s because not everything that makes me uncomfortable is a threat. Some things are supposed to make us uncomfortable. Exercise for instance. One cannot grow stronger if one employs tactics to avoid and eradicate all moments of discomfort because sometimes it is ok to be uncomfortable. Sometimes the challenges are there to help us grow stronger and not to be yelled away or spotlight into oblivion.

I wish I had understood this about myself sooner. I wish I had listened to the many loving people who tried to gently let me know this. Still – better late than never right?

For now consider the last poem a hopeful bookend in what has been years of trauma dumping. I want to move forward into something more hopeful. Something more nuanced. This is the goal. I will not always succeed but it is a worthy destination to try and find.

ASIDE: Mistakes happen. I will make them. I cannot obliterate the possibility of mistakes. I need to not over-react when I do make them. I need to commit them to memory and remember my goal.

The past is the past. It does its good and its bad and disappears leaving scars and beauty marks. I need to focus more on the present and even consider the future as the promised dawn of a new day. I like this. Sometimes I will forget I wrote this but that’s ok. Let’s focus on trending toward light.

Kanye West is not Picasso – By Leonard Cohen

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You Want it Darker: A Song of Accusation and Lamentation

Leonard Cohen’s newest single/title track to his new album You Want it Darker is as close to perfect as I have heard in terms of modern poetry.

At 82 years old Cohen has distilled a lifetime’s worth of experience and writing into a beautiful frightening song that is wonderfully simple and complex at the same time.

It is Cohen in the role of prophet singing in a voice of lamentation and accusation. But which prophet? Part accusing Job and part wailing Jeremiah, it is a brilliant blend perspectives that points fingers at both God and self (as humanity’s representative).

The song goes as follows:

If you are the dealer, I’m out of the game
If you are the healer, it means I’m broken and lame
If thine is the glory then mine must be the shame
You want it darker
We kill the flame

Magnified, sanctified, be thy holy name
Vilified, crucified, in the human frame
A million candles burning for the help that never came
You want it darker

 Hineni, hineni
I’m ready, my lordThere’s a lover in the story
But the story’s still the same
There’s a lullaby for suffering
And a paradox to blame
But it’s written in the scriptures
And it’s not some idle claim
You want it darker
We kill the flame

They’re lining up the prisoners
And the guards are taking aim
I struggled with some demons
They were middle class and tame
I didn’t know I had permission to murder and to maim
You want it darker

Hineni, hineni
I’m ready, my lord

Magnified, sanctified, be thy holy name
Vilified, crucified, in the human frame
A million candles burning for the love that never came
You want it darker
We kill the flame

If you are the dealer, let me out of the game
If you are the healer, I’m broken and lame
If thine is the glory, mine must be the shame
You want it darker

Hineni, hineni
Hineni, hineni
I’m ready, my lord

[Outro: Cantor Gideon Zelermyer]
Hineni
Hineni, hineni
Hineni

 

The words make me shiver as I read them again and again. Here is Cohen taking on the role of the priestly caste of Israel (as the Cohen’s are part of) and using his voice, the voice in the song; Cohen standing before God as he nears the end of his life claiming that God is culpable for the state of things and that we are Gods accomplices:

You want it darker, we kill the flame

Like the brashest of the prophets he speaks without fear of recrimination with the challenge leveled to God again and again in Hebrew – “Hineni, Hineni, Hineni, Hineni” or “Here I am” made even more powerful by the fact that it is sung at the end by a cantor from a Montreal synagogue.

It is the ultimate human cry, made most poignant through the experience of Jewish history from Egypt through Babylon and Aushwitz – “Where are you oh Lord?” sung as a round alongside “We know we have failed you just as you are failing us“.

These are the words of a man who will not hide his face but rather stand before God without apology and speak honestly without care for the consequences.

I cannot say enough about the significance of this song/poem in the Cohen anthology of writings – it is truly astounding.

i like the darker days

i like the darker days
the early coming night
i like the oppressive times
they help me see my pale light
it stands out

i like the colder days
of bone-scouring wild wind
these frozen moments
they help me see that
………………while i have sinned
there is a warmth within

i like the heavy days
rain sodden, world crushing
a pressing down upon me
til’ the air within comes rushing
that i might rise above it all

today

today is a down day –
not a goosefeatherstuffedcomforter down kinda day
but a hooksintheyeskickintheballs down kinda day
a gravityturneduphighfallonyourface down kinda day
am i painting a vivid enough picture here?
it would be composed of dark reds and blacks and greys
it would be a picture that said a thousand shitty words
                                                                       in a thousand shitty ways
so if i’m the painter why choose these pain-filled pigments?
why not re-create the day in brights and bleached whites
cover over the doldrum drabs with more engaging sights
let it be a painting over a painting kind of day
let the art preservationists uncover the lost image
buried beneath the this candy-covered clown-smile of a visage

Newton’s Cradle

i took a few (a lot)
of punches to the head
when i was younger (no jokes)
when i boxed/fought/beat the anger out in fists on flesh
i was that kind of fighter
let me fall or fail but not before
he feels the force of this life…my life
transferred through me like a Newton’s Cradle
crashing into his fresh face…
only to come back, though less than before
and in the end i would always win
in blood and cancerous clouds of smoke
i was never a boxer…
i was a cannon the world aimed at others

wrestle till dawn

point the battered boat
into towering waters
and settle in for the ride
whether down to drown
or beach on foreign shore
there are some powers
too strong to wrestle till dawn
let the journey be the blessed end
and not the end itself