saw the imprints of residential school
left buried brutally on your face
black and blue and bleeding
from the fists of the man it broke –
i was just five years old,
and we called him dad…
and these ghosts don’t die
saw the imprints of residential school
left buried brutally on your face
black and blue and bleeding
from the fists of the man it broke –
i was just five years old,
and we called him dad…
and these ghosts don’t die
one day
we will be ash
and float free
disentangled from ourselves
and this binding world,
drifting apart
even from our very selves,
silent and asleep
in the dark.
no matter how fast
the bullet train is
from Tokyo to Hokkaido
it will never reach
the speeds it once had
when the universe was new
nor the speeds
it one day will;
and the passengers
watching the quiet towns race past
on a warm night in Japan
know nothing of
where they have been
and where they are going
forever past and future
when every blade of grass
and every silk worm
and the kimonos of their work
took cosmic flight
nigh near as fast and bright as light.
dry leaves are a whirl
beneath a cooling afternoon sun
bright in the blue October sky
and cat cannot tell
if it is an attack
or simply the grinding death dance
of autumn scraping across the ground
tracing circles that betray the wind
as we sit content
while the world dies
a metaphor for life
in jeans and grey shirt
in turquoise and black boots
quietly in love
at what cost
to the wielding hand
when staunch defense
becomes wind whipped
and brutal vengeance?
who pays heartless blood
with soulless obliteration
returned a thousand fold
amidst the groaning sighs of Kaddish
pain-mingled with Salat al-Janazah
while hate grows like a field of weeds
as expansive as the waterless desert?
only the dead and the dead at heart
in memory of the ones who no longer care;
and all the voices sound the same
as they wail and rail beneath a pale sun
that rides forth indifferent to the tears,
only the dead and the dead at heart
at the cost of a life lived and a beating heart.
poems are not poems,
not anymore;
they are pithy bullets
of syrupy self-love,
projectiles of encouragement
fired deep into your brain
to the centre of gratification,
perfect for a poster
on your wall –
“Hang in there baby!”
we’re not afraid
that the world is haunted,
that we are possessed
by a legion…
we’re afraid that it’s not,
that we are the only ghosts
hiding in the attic…
alone.
olive clings to mother vine
and grows and grows and grows
ripening in the life’s good sun
until time comes to tear it away
and crush the gold from its flesh
that we might be nourished
in the oils of sacrifice
like ritual sanctification
sometimes i wake up
to an enormous sense of loss
and i wonder –
how much did i leave behind
in these unknown worlds
i may never see again?