some nights

i was trying to sleep
but that thing next to my bed
kept scratching on the wall
and so i lashed out
but it was too fast for me
and i had to yell at it
and it shut up for a minute
but went back to its

scritchscritchscritch

like broken nails on stone
until i was like

“FUCK MAN I’M TRYING TO SLEEP!”

but it never responds
though sometimes it stops

for a minute

that’s when the race to dream starts
and i am sprinting hard to darkness
and just before the finish line
it starts again…

scritchscritchscritch

setting my hairs on end
and making me want to fire-bomb the bedroom
but there’s no sense to that
because it’s where i keep my clothes and shit

so i just lay upon my back bleeding curse words
while the bastard keeps it up
through the inky hours
till i get up with the sun
and it sleeps like the ass it is

blended

the difference between light and dark
can be hard to discern –
sometimes

i walk in the black and it seems
like i can see shadows cast by absence

other times it can be so bright
i cannot see a thing

too close to the line
between the two
like walking along the equator
and losing the distinction
between north and south

it has all blended;
it is all the same.

You Want it Darker: A Song of Accusation and Lamentation

Leonard Cohen’s newest single/title track to his new album You Want it Darker is as close to perfect as I have heard in terms of modern poetry.

At 82 years old Cohen has distilled a lifetime’s worth of experience and writing into a beautiful frightening song that is wonderfully simple and complex at the same time.

It is Cohen in the role of prophet singing in a voice of lamentation and accusation. But which prophet? Part accusing Job and part wailing Jeremiah, it is a brilliant blend perspectives that points fingers at both God and self (as humanity’s representative).

The song goes as follows:

If you are the dealer, I’m out of the game
If you are the healer, it means I’m broken and lame
If thine is the glory then mine must be the shame
You want it darker
We kill the flame

Magnified, sanctified, be thy holy name
Vilified, crucified, in the human frame
A million candles burning for the help that never came
You want it darker

 Hineni, hineni
I’m ready, my lordThere’s a lover in the story
But the story’s still the same
There’s a lullaby for suffering
And a paradox to blame
But it’s written in the scriptures
And it’s not some idle claim
You want it darker
We kill the flame

They’re lining up the prisoners
And the guards are taking aim
I struggled with some demons
They were middle class and tame
I didn’t know I had permission to murder and to maim
You want it darker

Hineni, hineni
I’m ready, my lord

Magnified, sanctified, be thy holy name
Vilified, crucified, in the human frame
A million candles burning for the love that never came
You want it darker
We kill the flame

If you are the dealer, let me out of the game
If you are the healer, I’m broken and lame
If thine is the glory, mine must be the shame
You want it darker

Hineni, hineni
Hineni, hineni
I’m ready, my lord

[Outro: Cantor Gideon Zelermyer]
Hineni
Hineni, hineni
Hineni

 

The words make me shiver as I read them again and again. Here is Cohen taking on the role of the priestly caste of Israel (as the Cohen’s are part of) and using his voice, the voice in the song; Cohen standing before God as he nears the end of his life claiming that God is culpable for the state of things and that we are Gods accomplices:

You want it darker, we kill the flame

Like the brashest of the prophets he speaks without fear of recrimination with the challenge leveled to God again and again in Hebrew – “Hineni, Hineni, Hineni, Hineni” or “Here I am” made even more powerful by the fact that it is sung at the end by a cantor from a Montreal synagogue.

It is the ultimate human cry, made most poignant through the experience of Jewish history from Egypt through Babylon and Aushwitz – “Where are you oh Lord?” sung as a round alongside “We know we have failed you just as you are failing us“.

These are the words of a man who will not hide his face but rather stand before God without apology and speak honestly without care for the consequences.

I cannot say enough about the significance of this song/poem in the Cohen anthology of writings – it is truly astounding.

patronage

you don’t understand…

all the moments and minutes of grand assistance
and the constant standing by your cause,
by your belief or your lack thereof;

these things that seem so
altruistic –

they are simply out-workings
of an intense overconfidence,
a crazy over-heated arrogance,

a conviction that no matter how much we help you
you will never exceed us.

you are not our equal.

The Fight Over Women’s Bodies

 

Reading the news today I encountered yet another story from Pakistan about a young woman having had acid thrown in her face leading to disfigurement. In this instance the attack was by an older brother who had been making advances which were consistently spurned.

Meanwhile in France there is an ongoing legal struggle over a ridiculous attempt by the state to ban the burkini (a full body bathing suit favoured by some Muslim women not unlike bathing suits of the 1920’s era). This, of course, is being done in the name of “freeing” women from the shackles of a patriarchal culture and faith.

It is interesting that whenever women are spoken about the dialogue seems to revolve around their bodies and their faces. This points to a not-so-subtle reality that a woman’s physical beauty is being treated as her only value. In a culture’s overt physical attacks on women like throwing acid or in their attempts to defend women, again by focusing on her body, all that is done is a reinforcing of the idea that a woman is only valuable in so much as she is desirable and beautiful.

When a state like France focuses its liberation efforts on women by banning what they can do with their bodies (in this instance covering them too much) they betray that age-old patriarchal bias that says “your body and what you do with it is our business” thus again reinforcing the idea that a woman’s only asset is her body which leads to all kinds of social and cultural repressions – “your worth is in your bodyif you do not appear to be beautiful to us (generally men) then you have diminished or little value“.

The idea that women’s physical beauty is valuable means that, like gold, it has been and continues to be treated like a commodity – a raw material that can bought and sold (or treated as such) to the benefit of the buyer and seller – no one is generally concerned about the commodity. There are still many places where women can be literally bought and sold. The sex trade is a perfect example.

Now what do we do with our gold and valuables? Why we hide them of course. We lock them away and keeping them well covered from coveting eyes unless it serves our purpose and then we blatantly show them off like so much jewelry at a society function.

Society, in its attempts to offer greater freedoms to women, still ends up speaking in a language that revolves suspiciously and primarily around her body. There are constant pressures toward weight loss, fitness, fashion and make-up etc. which all centre on how a woman looks and the mantra that “looking good can lead to feeling good“.

The most insidious thing about these pressures is that, in and of themselves there’s nothing wrong with burkinis, bikinis, toplessness, nakedness or head-to-toe covering, make-up, working out, losing weight, etc. – the real issue is the root motivator behind the pressures – “be beautiful” because therein lies your value when it should be “you are beautiful with or without any of these things because your primary value (and thus your equality) is not in your beauty (inside or out) but in your humanity.”

I have a teenage daughter and I am constantly fighting the kinds of societal pressures that make me want to lock her up – the same kind of pressures I never felt with my sons.

Ultimately what I hope for her is that she decides who she wants to be and how she wants to be based solely on who she is and not due to external pressures to dress a certain way and look a certain way. You know – the things I take for granted for myself and my sons.

 

willful

if i write words
with invisible ink
perhaps
i will not have to read them
later